NECRONOMIDOL – DEATHLESS | ALBUM REVIEW

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Release Date: February 21st, 2017
Label: VELOCITRON
Format: CD, Digital


NECRONOMIDOL’s new album is a journey through darkness not to miss

One of the best things to witness in music, is without a doubt the progression of an artist as it makes its way through different stages of its career. It begins with a concept in mind, followed by experimentation to find the right balance and sound, and then to its conquest.

The “ultra-dark” Idol Unit NECRONOMIDOL is a clear example of this progression. Kicked off in 2014, the project led by producer Richard Wilson made waves in the Alternative Idol niche for its dark and fascinating concept, reflected in a formula that mixed up extreme metal influences with Idol pop bits, in a way that felt natural for the first time ever. From the beginning, the five girls and their team never stopped to improve their formula and build a strong identity: if the unit’s debut album NEMESIS was mostly a compilation of tracks showcasing the initial experimentations of the project, and last year’s EP from chaos born a strong proof of its ability in mixing up different genres, DEATHLESS is the consolidation of the unit’s sound we’ve been waiting for… and not only.

NECRONOMIDOL’s new record is indeed a noticeable improvement in every aspect: the opener END OF DAYS immediately highlights a production that’s much more cleaner and crystalline than before, highlighting dark vibes brought by blast beats and power chords, that coupled with the girls’ delicate and sinister vocals, make this track a perfect opener that showcases the unit’s personality with success. The album’s main achievement, though, lies in the improved fusion between Metal and Electronic influences, that reach an almost perfect balance here: tracks like 4.7L, SKULLS IN THE STARS, and CHUNGKING REDLINE make the mood of the record lighter thanks to Electronic beats and synths, but never go too far on the cheesy side, successfully keeping the dark vibe floating around, and creating a connection between the eight tracks composing the album. The general flow obviously benefits from such a detailed and well structured production, and now more than ever it feels cohesive and solid. Even tracks that follow a precise pattern, like the ballad HEXENNACHT (featuring a nice contrast between Electronic percussions and classic piano strings, first time I didn’t fall asleep on a ballad in a while) and the album closer ITHAQA, loosen the grip on the technical side while elevating the atmospheric factor, with the latter track in particular shining for its catchiness.

With DEATHLESS, NECRONOMIDOL ultimately consolidate their sound, making it more enjoyable than ever. This record is their strongest and most cohesive to date, and it manages to be various while keeping its core personality intact, flowing greatly throughout its eight tracks. The improved production quality and mixing is a big plus too, and makes both the girls’ vocals and instrumentals sound better than ever. All this, and the clear effort that the unit and its team put into this record, makes DEATHLESS Necroma’s best album to date.

Vote: 8.5 / 10

– Alex


NECRONOMIDOL’s new album DEATHLESS will be available in Japanese stores on February 21st, and also worldwide (digitally) on Bandcamp.

Hands on Necronomidol’s “NEMESIS” Vinyl (And a few considerations on the state of Alternative Idol)

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It’s no secret that the Alternative Idol scene, started in 2010 by BiS and BABYMETAL, brought a fresh breeze of air to a genre that was unavoidably getting old. This rebellious concept had such a huge impact in the Idol world, that the overly cheesy up-beat pop that contaminated the entire 2000s became outdated: Throwing a few formulaic melodies here and there, and setting the DAW to 120bpm, just isn’t enough anymore. But most importantly, it doesn’t sell as it used to, which is why groups refusing to adapt to the times (like AKB48) are seeing a huge decrease in popularity.

But as all trends and currents in music, after six years, we came to a point where there are so many “Alternative” Idol groups, that in a few years we won’t probably call them like this anymore: They will just be recognized as regular Idols. And when a niche gets so crowded, it also gets a little bit… same-y. Meaning that groups with plastic Metal riffs, high-pitched synths played at the speed of light, and teenager girls screaming even when they shouldn’t, are slowly becoming a shallow standard lacking personality. It happens all the time in music, and it’s just part of the process.

Luckily, though, this niche can claim an impressive number of talented artists and units, who shine not only for their quality compositions, but also for their strong personality: NECRONOMIDOL is one of them.

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Formed in 2014, the “Ultradark Idol Unit” merges both extreme and classic Metal influences with Idol vocals, in a successful combination with a great balance of sounds as highlight. The unit’s first album, NEMESIS, brings both a collection of previously released songs and new tunes, spacing from classic Heavy Metal all the way to the cruelest 90’s Black Metal. Showcasing all the process that formed the sound of the unit (that later brought them to release the amazing from chaos born EP), NEMESIS is a valid introduction to the sound of NECRONOMIDOL.

I recently got the chance to get my hands on the vinyl version of NEMESIS, thanks to the guys at Specific Recordings: Not only it looks stunning, but listening to LAMINA MALEDICTUM on vinyl made me feel so trve kvlt, that I had to cut off Bibi’s head off and put it on my bed like every good Italian would do.

Just kidding of course. Bibi was my first teddy bear when I was a child. I’d never destroy my childhood like that.

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Jokes aside, if you’re a Necroma fan living outside Japan, then this is the right chance to get a physical copy of their debut album on vinyl without the painfully expensive shipping from Japan (and consequent custom taxes). You can get it on the Specific recordings shop here.

That’s it folks. As you know, I’m always up to support overseas labels trying to spread Japanese Music in the world, and I think it’s important to help them for their great work. So if you love Japanese music… support the artists and the labels bringing these records to us!

– Alex