Electro Idol unit CY8ER is back with a new track titled “Kakushiemu“, the group’s first appearance since three more members joined the project (excluding the much discussed hazmat suits handshake event… gotta love the marketing).
After a pretty nice single as a trio back in April, with this new track CY8ER leans towards a much catchier and melodic approach: “Kakushiemu“ is indeed an upbeat – and uplifting – Techno-pop number that revolves around a playful melody hiding a subtle oriental flavor, that kicks off the track nicely and greatly enhances the chorus when coupled with the girls’ catchy vocals. The beat and bass lines bring clear Techno-pop vibes to the table, sometimes venturing into the Dempa field with brief yet frantic rhythmic outbursts that give a nice touch of variety to the track.
This is a nice come back for CY8ER; even though I still don’t quite understand the meaning behind the addition of new members, it’s good to see them back full of energy and catchy Electro tunes, because that is exactly what I expect when clicking on a CY8ER video. Nice one.
After the very good reception of “If you’re here”, Shibuya Kei pioneer Cornelius is back with “Sometime / Someplace”, a newly released number featured in the producer’s upcoming record “MELLOW WAVES” ( June 28).
The track doesn’t stray too far from the mood of “If you’re here”, with a vocal interpretation and soothing electronic bass lines that emanate clear melancholic vibes; at the same time, “Sometime / Someplace” features several uplifting elements that mostly lie in layers of frantic acoustic riffs and playful drum patterns, creating an effective contrast that keeps the listener engaged. A totally unexpected electric guitar solo brings slightly noisy elements to the table, a very nice touch that works perfectly in the context of the track.
Be sure to listen to the track down below, and watch the wonderful video as well. It’s really, really cool.
When the collaborative track between Electronic outfit Have a Nice Day! and singer/songwriter Seiko Oomori was announced, I was honestly excited: they’re two of the artists I enjoy and follow the most right now, and their striking charisma and way of composing music makes them some of the freshest artists in the scene. The track was actually released on late April, but its music video has been released just yesterday on Japan-focused YouTube channel Lute, so I thought it was the right time to express my feelings about it.
“Fantastic Drag“ is an Electronic number where Have a Nice Day’s typical synth melodies are looped to infinity as usual, featuring actual verses instead of the same phrase repeated over and over again; it all sounds nice and not different from what the group usually delivers in their energetic live shows in underground venues in Shinjuku, and that’s really all I expected and wanted to hear from them. Seiko Oomori takes care of the second verse, and she delivers as usual, thanks to her extremely dynamic voice and versatile interpretation: she’s one of the few artists that just can fit in every context, no matter if it’s an Idol pop anthem or a raw Punk number. She just sings her heart out, and it works great among the Electronic intricacy of Have a Nice Day’s synthesizer layers.
Yet, I can’t help but feel… underwhelmed. The song is undoubtedly good, both artists just do what they usually do in this track, but at the same time it doesn’t dare to go beyond that, and ultimately there’s really nothing that truly makes it stand out. It’s the sum of two talented artists, and the result is obviously good, but the feeling that this collaboration could have been much more exciting still lingers around my head. Maybe it’s because of its linearity, or the fact that I find the track unnecessary long, and while I don’t mind it at all, I still think this could have been a much more intriguing showcase of two artists with unique charisma.
Listen to “Fantastic Drag“ down here, and enjoy the MV (which is very nice).
Release Date: June 3, 2017
Format: Digital, CD (only a few copies)
Future Funk and Japanese 80’s Disco flawlessly merge together in Mikazuki BIGWAVE’s new record
Riding the wave of the 80’s revival/vaporwave phenomenon, Future Funk is probably the genre that melds past and future sounds in the most enjoyable and effective way. Whereas most projects out there sound as simple revivals or throwbacks to the good old 80’s vibes (not that it’s a bad thing), this particular sub-genre shows a strong will to effectively adapt modern influences into this sound, usually resulting into intriguing and enjoyable compositions.
Yokohama-based producer/singer Mikazuki BIGWAVE – also member of the Pink Neon Tokyocollective – is one of the most representative artists of this fairly recent genre, and with “Watashi no YUME DIARY” she’s bringing her most solid and convincing work to date. Setting aside the fact that with thirteen tracks this is actually more of an album than a EP, this record is pretty much the answer to anyone who’s wondering what Future Funk actually is: a fusion of 80’s Japanese Disco with Funk-imbued instrumentals, put in the frame of a modern execution overflowing with digital alterations.
Mikazuki BIGWAVE does a very well done job in exposing this approach, and the result is a pleasantly catchy and well-crafted record. As expectable, the whole work is filled with shiny Synthesizer melodies, slapping bass lines and funky guitar riffs, backed up by samples and vocals that fit the mood of each track with smart digital manipulations. The record is not afraid to chop-up parts and toning down the mood at its own will to expose the juiciest sections, adopting modern influences like the Techno-pop beats of “Sweet Days“, probably the track that dares the most in the whole record, yet without compromising the core formula of it. While the neat fusion of old and modern is certainly the star of the show here, shiny melodies and catchy passages are what makes this record so enjoyable, with tracks like “You’re the only one“, “Midnight Highway” and “BLIZZARD” as prime examples, featuring striking soundscapes that make these numbers instant earworms.
“Watashi no YUME DIARY” is a fun and greatly crafted record, filled with details that create catchy compositions often featuring some impressive soundscapes. In the midst of the whole 80’s revival wave, Mikazuki BIGWAVE‘s record stands out for its flawless balance between old and modern, as well as for its excellent songwriting. A very enjoyable record not to miss.
Originally posted on ARAMA! JAPAN. Be sure to listen to the record down here:
I can say without a shade of doubt that Acidclank is currently one of my favorite Indie artists from Japan; the outfit’s 2015 debut record “Inner” was a pleasant and various record mostly based on Brit Rock influences, while last year’s “Night In” EP shown a side of the project that leaned towards slower and nostalgic vibes, an approach that greatly fits the band’s sound (it was one of my favorite releases of 2016).
Acidclank is finally back on the scene with “Rocks“, title track taken from the outfit’s first single set to be released on June 14. This indie Rock number finds the outfit mostly merging influences from both “Inner” and “Night In” in a seamless way, with raw-sounding riffs and up-tempo drum patterns backed up by melancholic melodies, with a redundant guitar solo placed right before the end of the track that noticeably boosts the nostalgic mood of the track; it’s a straight to the point song, but it’s also very well detailed and crafted, showcasing a sound that now more than ever represents this band’s identity.
As a fan of the group, I’m very excited to see what they have in store for this new single, sure that more valid tuned are on the way. Listen below.
After the disbandment of crow-themed Idol unit BELLRING GIRLS HEART last year (reformed recently under the name THERE THERE THERES), almost each member of the original group took its own road to start new projects. Member Ayano Yanagisawa is the only one who decided to go solo, and with her first single “Gloomy“ released just yesterday, the Music Video for the title track is now available as well. And I absolutely love it.
The track is a simple and straight to the point Pop number, but acoustic riffs and retro-sounding layers of synthesizer give it a melancholic and beautiful vibe that just works wonders with Ayano’s vocal lines. “Gloomy“ is a very heartfelt track, and the way so many emotions are conveyed in such a simple and friendly structure is a sign of remarkable skills in the songwriting department.
I love everything about this. Be sure to listen to the track and watch the video below!
Today’s discovery is Satomimagae, a singer/songwriter who debuted in 2012 under Tokyo’s White Paddy Mountain label. “Kemri“ is the third album of the singer’s discography, and is set to be released on June 6, but you can already listen to three of the eleven tracks on Bandcamp right now (check below). After listening to these songs, I was honestly pretty impressed with this girl’s music.
Ethereal vocals and clear acoustic guitar notes are the base for Satomimagae’s compositions, that occasionally get enriched by atmospheric elements that take the form of brief but massive waves of Electronic effects, who take the spotlight right away in the opener “Bulse“. The soundscapes Satomimagae successfully summons are the result of a cold yet heartfelt vibe, a contrast of emotions particularly noticeable in “Leak“, that often uses the help of distant electric guitar notes that slightly remind of Shoegaze vibes. There’s also space for more soothing and less haunting vibes, as shown in “Mebuki“, where the singer’s delicate voice flies above a layer of ethereal back-vocals, conveying a strong sense of melancholy.
From this brief but substantial preview, “Kemri” sounds like a record that sets a clear mood and plays with it by briefly welcoming different vibes and moods, making each track a story of its own. Satomimagae‘s formula is strong as the emotions she conveys in these numbers, which is why “Kemri“ is now one of the albums I’m looking forward to the most right now. Be sure to listen below.
Let’s kick off the week with something engaging and soothing, shall we? Something that delicately wakes your brain up on a Monday morning in just the right way. I would never try to wake you up with EDM or Black Metal, so you can trust me.
Osaka-based producer NoGht just released its new track “Nostalgic Radiance“, a five-minutes Electronic number that showcases remarkable skills in several departments; the track revolves around a simple yet effective riff, that takes the listener throughout mutating soundscapes made of dreamy details that constantly emerge and progress, briefly cut only by a small breakdown that leads to a final section marked by stronger melodies and drum patterns. Progression and structure are definitely the highlights here, and despite its length, this track does an amazing job at keeping the vibe up.
“Nostalgic Radiance” is a well-crafted track from NoGht, that showcases a remarkable use of melodies and details to create precise soundscapes. Nice one to kick off the week. Listen below!
I think this may be the best discovery I made in a while… Tokyo-based outfit come to my party released a new EP titled “Julius” a few weeks ago, and I’ve been hooked to this release since it came out. Throughout the three tracks composing this extended play, the group takes bits of many influences – mainly Indie Pop and Alt Rock – and puts them in a delicate Electronic frame that mostly takes the role of vivid rhythmic sections, with filtered vocals on top that add a fitting atmospheric touch to the package; the second track /99 in particular is a prime example of this formula, with melancholic guitar notes summoning vibes typical of Indie Pop that work wonders in the context of these tracks.
A brief but very solid release, “Julius” EP showcases a well-crafted combination of influences delicately merged together. If Indie Rock/Pop watered down with Electronic and atmospheric layers sounds like something you might enjoy, then this is a must. Be sure to listen down here.
Not sure about you guys, but for me, Wednesday is the most stressful day of the week. And if something annoying has to happen, it always happens on Wednesday. I don’t know why. It’s like one of those weird random things that always happen in Murakami’s books. But I digress.
As you can guess, my nonsensical aversion towards this particular day translates into another excuse to search for more chilling music. Today, Electronic artist Hino Hikari and his new track are exactly what I need: Gekkō yoku is a pleasant number where Ambient elements serve as background for a slow but pleasant progression, with delicate piano notes and chords intertwining with a distant low-fi beat. Instead of looping notes and passages, the track almost sounds like a calm improvisation; coupled with its reasonable length, the result is a pleasant listen that constantly keeps the interest up instead of anesthetizing the listener with excessive repetition.
Very nice track. Listen below.