Yes, I know this should have been a Top 10 list. But in the end, I just wanted to make a list of the albums that I personally enjoyed A LOT, the ones I still listen to this day on a regular basis. And while there are several records that I enjoyed in this rich year for Japanese music, here are the ones that I feel like you shouldn’t absolutely miss.
Let’s get started!
Soutaiseiriron – Tensei Jingle
One of the most enjoyable J-pop records of the year, Soutaiseriron‘s Tensei Jingle is a pleasant experience that’s deep yet incredibly catchy. The band sounds fresher than ever, with dreamy guitar melodies floating on top of strong rhythmic patterns and electronic bits adding all the necessary atmosphere to make this record incredibly charismatic. This formula mutates throughout the entire tracklist, granting variousness and exposing the myriad of details composing this record, that just gets better listen after listen. Truly a rewarding experience, and a record not to miss.
Seiko Oomori – TOKYO BLACK HOLE
If 2015 was mostly a transition period for Seiko Oomori in the mainstream scene, 2016 is the year she conquered it. TOKYO BLACK HOLE is a collection of solid J-pop numbers, contaminated by different influences at the service of Seiko’s relentless will of expressing herself in so many different ways. This grants a various array of vibes and sounds, spacing from Electronic and Rock to Idol pop and Symphonic elements, who enrich her trademark sound without overshadowing it. And in its complex, sometimes intrigued textures, TOKYO BLACK HOLE manages to be incredibly catchy and enjoyable, forming a collection of masterful J-pop numbers, where you never know what’s gonna happen next. Seiko Oomori always puts her heart and soul in music, and this time she overdid herself, and this is why this album is so good and enjoyable. Definitely one of the highlights of this year.
Mono – Requiem For Hell
Post-rock masters MONO come back in the scene with one of the most heartfelt records of the year, conveying strong emotions through their unique sound developed in almost two decades of honorable career.
Requiem for Hell is a journey through powerful vibes and vivid emotions, that leak from each of the five tracks composing this dark and beautiful piece of work. Looking back at the group’s catalogue, this record definitely stands out for its darker personality, occasionally flirting with Post-metal influences, yet it manages to be somehow calm and soothing in a unique way. And that’s really what this album is all about: the balance of emotions, the portrait of life and death, of pain and relief, of happiness and sadness. A beautiful and haunting experience not to miss.
Sora Tob Sakana – Sora Tob Sakana
2016 was a strong year for the Alterative Idol niche, with groups of the likes of BiSH rising in the mainstream scene, and others surfacing with convincing concepts and strong personality. In the midst of a niche that gets more and more crowded, though, sora tob sakana shine the most for their unique approach to Idol music, showcasing a fresh and bright concept (contrary to most groups) made of extremely technical Math Rock numbers. Their self-titled debut record made this year’s spring even brighter, featuring a collection of numbers where melodic Math Rock gets permeated by masterfully placed Electronic moments and great vocal lines, showcasing a solid personality. This is a great record not only for the Idol aficionados, but for anyone who’s looking for accessible yet deeply technical music that’s easy to enjoy in any context. Definitely one of the greatest surprises of 2016.
[READ MY REVIEW, coming soon, listen in the meantime]
Zombie-chang – Zombie-change
One of the uprising acts in the Indie scene, Meirin Yung (aka Zombie Chang) is surely an artist that grabbed the attention for her charismatic, self-produced music. Started off as a rapper, the young artist took an Electronic turn this year with her record Zombie-Change… and boy was it surprising. Meirin’s take on Electronic music has kind of a retro taste to it, but it manages to sound fresh at the same time, with redundant melodies and beats filled with unexpected twists and turns that create a various and enjoyable experience. Hands-down my favorite Electronic album of the year, that I feel like suggesting to anyone looking for a raw and very spontaneous record.
Shiggy JR. – All About Pop (J-pop)
Bokutachi no iru tokoru. – Gomi (J-rock)
Oyasumi Hologram – 2 (Alternative Idol) [REVIEW]
Necronomidol – from chaos born (Alternative Idol) [REVIEW]
Jun Togawa w/ Vampillia – Watashi ga Nakou Hototogisu
Hope you will enjoy these records! Be sure to leave your impressions in the comments!
Happy Holidays and… I’ll see you guys in 2017 😉