BLOG | Afterthoughts on newly released albums

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Hey guys, it’s Alex!

The last two weeks have been pretty crazy in terms of big releases, and luckily (almost surprisingly, to be honest) I’ve been able to review all of them prior to the release date. Thank you all for the comments and feedback on these articles, I appreciate it!

Let’s take a look at all the releases we had the pleasure to listen to these days: First, we had the long awaited Seiko Oomori album TOKYO BLACK HOLE, that ultimately elevated the singer/songwriter as icon and relevant figure of today’s J-pop scene. This album is her most consistent and various piece of work yet, and the crazy/adorable charisma of this girl flows through each of these great tracks. The chorus in SHINPIN is still stuck in my head. Definitely the most valid release of the wave of long awaited works that hit the Japanese market in the last couple of weeks, that I awarded with a score of 9.

Sadly (in a way) Seiko Oomori’s outstanding record was the only one that fully met my expectations. Maison Book Girl‘s new EP played it well despite not really bringing anything new to the table, something that the group’s new record will hopefully achieve: I gave summer continue a 7.5, as I enjoyed this short but fresh-sounding record. A few days later, BABYMETAL‘s long awaited (and highly acclaimed) album METAL RESISTANCE hit the shelves of music stores in all the world: I really didn’t feel this record as a whole, despite having some nice tracks here and there and lots of talent showcased by the three lovely girls and their band. I gave this record a 6.5, and as expectable, many fans took it as a negative vote: It always seems like that any score under 8 means the album is crap, which is obviously not true: METAL RESISTANCE is an album with several valid moments, some of them even great, but sadly the tracks that sound like plain standard metal are what take most space in this record, and as a fan of this group since their debut on the Japanese market, it’s a factor that left me disappointed. I approached this album expecting a fully BABYMETAL work, that unique blend of Metal and Idol pop that conquered the hearts of thousands of people: instead, I got an album that’s mostly filled with standard Heavy/Power/Speed/Progressive metal tracks. As a result, I barely listen to this album in its entirety anymore and just pick those four tracks that I really enjoy (for the record: YAVA!, Amore, From Dusk Till Dawn, Syncopation). On the other hand, I was glad to read constructive critics towards my point of view instead of insults from hardcore fans like I was expecting: It was nice discussing with you all, and I really appreciated it. Also took some time to exchange opinions with Maniac from Homicidols about it, a debate you can check out here.

Last but not least, another eagerly awaited release: Perfume‘s new album COSMIC EXPLORER. As a huge fan of the Techno-pop trio from Hiroshima, I had mixed feelings about this record, as it’s been shamelessly split into two between new and old tracks: I enjoyed the new compositions the most, in particular the title track and Miracle Worker, while the already-released tracks definitely deserved a better treatment and placement. All in all, it’s still an album with several valid moments that I’m still playing and enjoying, but at the same time it’s clear that this is also Perfume’s most inconsistent studio album so far, which is really a shame considering how it could have been much better if treated with more care. As in the case of METAL RESISTANCE, I think the tracks in this record as well will be much more enjoyable live.

All in all, I’m glad to say that none of these releases were bad, but instead delivered enjoyable moments. Despite the mixed results of a few records, it was interesting to analyze these important and long awaited releases, as well as discussing about it with all of you.

Thanks a lot for your support, and be sure to stay tuned on my blog for more reviews and articles on Japanese Music. See ya!

– Alex

 

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